Vertigo Dance Company in Noa Wertheim’s Mana. Photo by Gadi Dagon.

With a studio in Jerusalem rather than Tel Aviv and another home base in the form of an Eco-Art Village on Kibbutz Netiv HaLamed-Hey, Vertigo Dance Company is certainly far from ordinary.  But what makes Vertigo even more of a standout is the exceptional artistry and socially conscious vision of its artistic directors, Noa Wertheim and Adi Sha’al.

From the very start, the couple’s striking choreography made an impression on the local dance scene. The pair’s first duet, Vertigo, drew not only from Sha’al’s own experience in the air force but also considered the feeling of dizziness within the context of personal relationships; the work garnered them the 1992 On the Way to London award from the British Council. The following year, their multimedia duet Contact Lenses won the first prize in the prestigious Shades of Dance festival for emerging choreographers.

As Wertheim and Sha’al expanded the ensemble of their Vertigo Dance Company, they became known for making daringly athletic work that explored deeply human issues.   The company’s repertory also shattered the conventions of traditional concert dance.  The Power of Balance (2001), a collaboration with British choreographer Adam Benjamin, integrated the group’s regular roster of dancers with disabled dancers.  Placing mankind’s relationship to the environment at its core, Birth of the Phoenix (2004) abandoned the theater for the outdoors, with the dancers performing on a dirt ground under a geodesic dome.

In June, Vertigo performed a trilogy of recent works – the iconic Birth of the Phoenix, the supremely energetic White Noise (2008), and the magnificent Mana (2009) – at the Israel Festival in Jerusalem. Now the company is bringing these three stellar dances to the Suzanne Dellal Center as part of the SummerDance 2010 festival with performances running from August 2 to August 4.   As a bonus, the performance of White Noise on June 3 will be followed by a meeting with the artists.

Want to learn more about this unique group?  Here are several videos with footage of interviews at the Eco-Art Village and the dances from the trilogy as well as Vertigo and Noa Wertheim’s appearance at the TedxTelAviv event.

Below is a video about Vertigo Dance Company’s Eco-Art Village, with brief clips primarily of Noa Wertheim’s Birth of the Phoenix.

In this next video, artistic directors Noa Wertheim and Adi Sha’al as well as some of Vertigo’s dancers talk about working in the Eco-Art Village. Many of the dance excerpts are from Wertheim’s White Noise.

Vertigo and Noa Wertheim were part of TedxTelAviv, which was held on April 26, 2010 at the Jaffa port.  The video below includes an excerpt from White Noise, followed by Wertheim discussing her move to the Eco-Art Village and her philosophy. The video closes with an excerpt of Mana.

Related Articles on Dance In Israel

• Vertigo Dance Company: Art, Environment, Community
• Curtain Up 2: Vertigo Dance Company and Noa Wertheim Host Elad Shechter
• Vertigo Dance Company in Noa Wertheim’s Mana
• Vertigo Dance Company: A Conversation with Choreographer Noa Wertheim

Related Links

• Vertigo Dance Company
• TedxTelAviv
• Suzanne Dellal Center

Video: Bridge: Choreographic Dialogues 2009

“My personal aim is to really create an Impulstanz type of workshop program in Israel,” says Barak Marshall, choreographer and artistic director of Bridge: Choreographic Dialogues.  “Ideally, that’s really where I want to take this festival.  I think it’s necessary, and I think that the time is right for us to have an international dance festival.”

It’s an ambitious goal, but as Bridge: Choreographic Dialogues grows and evolves each year, it’s also one that is perfectly logical and increasingly attainable.

From its start, Bridge was centered on building strong international connections.  In 2006, Miki Yerushalmi of the Jewish Federation’s Tel Aviv/Los Angeles Partnership approached Barak Marshall about creating a dance program.  Marshall, who currently splits his time between the two cities, recruited UCLA and the Suzanne Dellal Center as partners and developed what he calls a “choreographic exchange program.”  During the summers of 2007, 2008, and 2009, L.A.-based choreographers – often working in diverse forms absent from the Israeli scene, such as hip-hop and kathak dance – traveled to Tel Aviv to teach two-week workshops with Israeli dancers.  Meanwhile, in May 2008, Ronit Ziv, Niv Sheinfeld, and Idan Cohen shared their artistry with L.A. dancers in a similar intensive.  Plans are in the works for more Israeli choreographers to teach and perform in L.A. in the future.

Here in Israel, the Bridge summer course is becoming an annual highlight of the Tel Aviv’s bustling dance scene, providing an infusion of wide-ranging workshops with a world-renowned visiting faculty.  This summer, about 100 dancers – including 5 students from the prestigious CalArts dance department, a handful of other dancers from the U.S. and Europe, and tens of Israelis from around the country – are expected to study with the most international roster of teachers yet.  “I really wanted to for a very long time bring a more European influence into the course,” explains Marshall of his decision to expand the faculty from its original L.A. base.  Among this year’s teachers are Damien Jalet, who has risen to prominence as a choreographer within the Belgian collective Les Ballets C. de la B. and as the co-director of Eastman alongside Sidi Larbi Cherkaoui; Lisi Estradas, a Spanish-trained former Batsheva Ensemble dancer who also works with Les Ballets C. de la B.; and Michal Mualem, who danced with several local choreographers before joining Sasha Waltz & Guests and creating her own productions with her partner Giannalberto de Filippis.  “These are 3 international and incredible artists, and I went very consciously after them to come and do the course,” Marshall reflects.

Further adding international flavor to this year’s Bridge are South Korean choreographer Chuck Park, the Paris Opera Ballet’s Bruno Bouché, and Caracas Ballet founder Maria Barrios Zaks.  Even the teachers who are fixtures on the local scene, like Naomi Perlov, Jay Augen, and Marshall himself, boast a significant record of international work.

The diversity of the faculty pays dividends for Bridge’s dancers.  “What I’m really trying to expose the dancers to are just a myriad of different ways of moving, a myriad of vocabularies and knowledges,” states Marshall.  Classes in ballet, contemporary technique, and contemporary repertory as well as choreographic workshops allow dancers to work with multiple teachers, sample a variety of styles, and broaden their horizons.  With this particular select faculty, even a single teacher may expose dancers to a range of movement.  Marshall highlights Jalet’s “cross-cultural approach,” marveling that he and Cherkaoui mix “theater with ethnic movement with release with acrobatics; it’s just endless, the world he brings!”

Besides expanding the participants’ physical abilities, Bridge: Choreographic Dialogues 2010 will challenge dancers to develop their artistry as active members of the choreographic process.  Marshall remarks, “The emphasis this year is the dancer as creator . . . these other choreographers really have a very democratic and dancer-as-creator mode of creation, so what I hope to really offer to the participants is to open their eyes to their abilities as a creator, not just as an interpreter.”  Furthermore, Marshall notes that Bridge has served as a launching pad for dancers’ careers, enabling them to meet both local and visiting choreographers and fostering strong professional connections.  Marshall himself has found several dancers for his recent works Monger and Rooster through Bridge.

The stimulating interaction runs both ways, with not only the dancers but also the choreographers benefiting from the mix of participants and approaches.  Most of all, Marshall explains, foreign choreographers who have taught at Bridge have discovered what he calls “the wow of the Israeli dancer and the Israeli artist and the Israeli soul.”  He elaborates, “Everybody who has participated in the three previous workshops came with their own preconceptions of Israel, first of all, and consequently of the Israeli dancer, from their limited knowledge.  I know that everybody has gone away with this deep impression about the power of Israeli dancers.  And I’m always very, very proud of that; I think that Israeli dancers offer something [that is] so powerful and overwhelming and all-encompassing.”

Related Articles on Dance In Israel

• Bridge: Choreographic Dialogues 2009 Brings L.A. to Israel
• Interview with Barak Marshall: Dancing between Israel and America (Podcast)

Related Links

• Bridge: Choreographic Dialogues website
• Barak Marshall
• Suzanne Dellal Center

Video: Batsheva Dancers Create

The Batsheva Dance Company’s dancers might have cooled off at the beach to make this video, but this July, they – and many of Israel’s finest dancers – will be heating up the Suzanne Dellal Center’s stages during SummerDance 2010.  The annual festival, called Maholohet in Hebrew (a play on the words for “dance” and “hot”), will take place from July 1-August 31 and boast 84 performances.

Nuevo Ballet Español.  Photo courtesy of Ora Lapidot PR.

This year’s programming kicks off with a festival within the festival.  From July 1-10, Madrid Dance will showcase Spanish dance including the Antonio Najarro Dance Company, Nuevo Ballet Español, Sharon Friedman and Jesus Pastor, and Pastor and José Marino.  More international guests arrive later in the summer with dancers from the Paris Opera Ballet performing their own creations in Incidence Choreographique and with the Black Light Theatre from Prague in Africania.

Video: Rachel Erdos’s OU’ premieres at SummerDance 2010

As in previous years, premieres abound at SummerDance.  This year’s bounty, totaling 19 new works, will include premieres by Dana Ruttenberg, Kamea Dance Company, Tamar Borer and Tamara Erde, Portal Dance Company, DaNaKa Dance Group, Yoni Soutchy, Idan Sharabi, Ronit Ziv, Sigal Ziv, Elina Pechersky, Rena Schenfeld, Dafi Altebab, Mami Shimizaki, Sharon Vazanna, Anat Grigorio, the Jerusalem Ballet, and Rachel Erdos.  Sahar Azimi, Elad Shechter, and Ido Tadmor offer pre-premieres, and Yaniv Cohen’s work will be shown in its Israeli premiere.

Arkadi Zaides’s Quiet.  Photo by Gadi Dagon.

For audiences who missed some of this year’s most intriguing premieres, SummerDance offers a second chance to check them out.  Among the offerings are Arkadi Zaides’s Quiet, which recently returned from a tour of Europe, as well as the Kibbutz Contemporary Dance Company in Rami Be’er’s Infrared, Fresco Dance Group in Yoram Karmi’s Particle Accelerator, Kamea Dance Group in Tamir Ginz’s SRUL, Kolben Dance Company in Min-Hara, and Animato Dance Company in Nadine Bommer’s American Cinema. Inbal Pinto and Avshalom Pollak’s Rushes Plus and Ohad Naharin’s Kyr/Z/na 2010, both highlights of the last season, combine excerpts of older works in a strikingly new context. And Vertigo Dance Company presents not only its recent hit Mana but also White Noise and the now classic Birth of the Phoenix.

Batsheva Dancers Create.  Photo by Yoav Barel.

Several evenings pop out from the schedule with a mixture of interesting fare.  This year’s festival includes Batsheva Dancers Create, an annual workshop featuring two programs of Batsheva’s dancers in an array of their own choreography.  Another intriguing evening is Noa Dar’s presentation of her recent Anu alongside a work-in-progress, Banu, which is the extension of her previous creation.  And audiences will have a chance to sample a combination of choreographers when established artists host up-and-coming contemporary choreographer.  These programs include Dana Ruttenberg and Shlomit Fundaminsky hosting Neta Ruttenberg and Uri Shafir; Sahar Azimi hosting Elad Shechter and Yaniv Cohen; Dafi Altebab hosting Mami Shimizaki; and Idan Cohen hosting Sharon Vazanna.

Beta Dance Troupe in Meeka Yaari and Ruth Eshel’s Fathers and Sons. Photo by Ofer Zvulun.

SummerDance 2010 also features several companies and choreographers that add an ethnic flavor to the Israeli concert dance scene.  Beta Dance Troupe blends Ethiopian traditions with contemporary choreography in Meeka Yaari and Ruth Eshel’s Fathers and Sons as well as Adam McKinney and Daniel Banks’s What We are Saying. Rona Bar-On, Sigal Ziv, and Elina Pechersky bring belly dance to the stage, while COMPAS, Silvia Duran, and Tania Vinokur offer variations on flamenco.  Adding to the mix is Bangoura, an African dance company that will perform The dance of the drums.

Batsheva Ensemble in Ohad Naharin’s Kamuyot.  Photo by Gadi Dagon.

Want to attend a dance performance with your family?  Several family-friendly programs are dotting this year’s bill, including the Batsheva Ensemble in Ohad Naharin’s Kamuyot, Kamea Dance Group in Or Abuhav’s The Ugly Duckling, COMPAS in Carmen and Snow White and the Seven Dwarves, and Noa Dar Dance Group in Children’s Games.

Rounding out the programming are several critically acclaimed works created in recent years, including Yasmeen Godder’s Singular Sensation and Yossi Berg and Oded Graf’s Four Men, Alice, Bach and the Deer, and evenings of work by independent choreographers including Iris Erez, Shlomi Frige, Maya Levy, Michael Miler, and Michal Herman.

Related Articles on Dance In Israel

• Maholohet: SummerDance 2009 at Suzanne Dellal Center
• More on Maholohet: A Hot Summer of Dance Continues

Related Links

• Suzanne Dellal Center

Gaga Intensive. Photo by Gadi Dagon

Many of you have inquired about the 2010 Gaga Intensive, a two-week summer course offered by Ohad Naharin along with dancers from Batsheva Dance Company.  So, as the registration coordinator for the workshop, I’m pleased to offer you the scoop: this year’s intensive will be held from July 11-23 in Tel Aviv at the Batsheva studios in the Suzanne Dellal Center.  The Gaga Intensive is geared towards dancers and dance students age 18+.  Classes in Gaga, Naharin’s repertory, and Gaga methodics will run Sundays through Thursdays from 10:00 in the morning until 5:00 in the afternoon, and there will also be classes on Friday mornings. The course will cost 2000 NIS, or roughly $500.

If you have questions, please do not contact me through Dance In Israel but instead e-mail me at: gagaint@gmail.com

You can register at: www.gagapeople.com

Hope to see you in Tel Aviv this summer!

Related Articles on Dance In Israel

• “Going Gaga: My Introduction to Gaga Dance Classes” (my overview of Gaga dance classes)
• “Gaga: Ohad Naharin’s Movement Language, in His Own Words” (featuring a quote by Ohad Naharin about Gaga)
• “Gaga: A Foreigner Explores Ohad Naharin’s Movement Language” (a reflection on my experience in Ohad Naharin’s Gaga classes)
• “Ohad Naharin on Gaga (Video)” (with a video of Ohad Naharin discussing some concepts from Gaga)
• “A Glimpse into the Gaga Workshop (2008)” (including a video from the 2008 workshop)
• “Reflections on the Gaga Intensive 2009″ (dancers share their memories from the 2009 workshop)
• “Gaga for Dancers: From the Gaga Intensive to New Open Classes” (my article on the 2009 intensive and an announcement about Gaga/dancers classes)

Related Links

• Gaga website (including registration for Gaga Intensive)
• Batsheva Dance Company
• Suzanne Dellal Center

On my first full day in Israel nearly two and a half years ago, I made a pilgrimage to the Suzanne Dellal Center.  Although I didn’t yet grasp the scope of the complex’s activities, I had heard that this was the epicenter of the Israeli contemporary dance scene, and that was enough to make me wander through the maze of Neve Tzedek’s streets until I finally found the right spot.

Throughout my first year of research, as I attended scores of performances and classes at Suzanne Dellal, my admiration and appreciation of the center only grew.  And now, as I visit the center daily, I am no less astonished by the activity it supports.  Classes, rehearsals, performances, and festivals keep the studios and theaters of Suzanne Dellal busy from nine in the morning to late at night, year-round.  Indeed, the numbers published by the center are remarkable: each year, the Suzanne Dellal Center boasts an astonishing 600+ performances and welcomes approximately  500,000 visitors. And since its establishment in 1989, the center has presented over 1,200 premieres – most of which are dances.

Throughout 2009, festivals and photographic exhibitions celebrated the Suzanne Dellal Center’s twentieth anniversary, calling attention to the center’s extraordinary contribution to the field of dance in Israel.  Although it’s now 2010, the celebration of the center’s activities is continuing: on February 23, Minister of Education Gideon Sa’ar announced that the Suzanne Dellal Center would be awarded the Israel Prize, one of this country’s highest honors.

Chaired by Dr. Hadassah Shani, the selection committee commended the center.  “In its 20 years of activity, the Suzanne Dellal Center has caused dance in Israel to take off,” they acknowledged. “The many and varied artistic endeavors of the center have spawned a new generation of artists, creators and performers, in the arena of artistic dance. Creative excellence on the center’s stage has broadened, and continues to broaden, the circle of dance lovers [in Israel].  The center’s activities opened the gates of the world’s most important dance to the Israeli dance scene and made it possible for Israel’s artistic dance to make its stamp in the international arena.  This is a prize for initiators and supporters of the vision that became reality.”

The Minister of Culture and Sports, Limor Livnat, added, “The Suzanne Dellal Center is one of the most fascinating and unique centers in the field of dance in the entire world. In the 20 years since its founding, the center, under the direction of Yair Vardi, has turned into a center of pilgrimage for creators and dancers from the country and from the world.  The Suzanne Dellal Center brings us much pride, and the bestowing of the Israel Prize expresses the great appreciation that we have for the center and for Yair Vardi.”

The Israel Prize will be given to the Suzanne Dellal Center by President Shimon Peres, Prime Minister Binyamin Netanyahu, Speaker of the Knesset Reuven Rivlin, President of the Supreme Court Dorit Beinisch, Mayor of Jerusalem Nir Barkat, and Minister of Education Gideon Sa’ar.  The award ceremony will be held at the Jerusalem Theatre on April 20^th, Israel’s Independence Day, and will be broadcast live on Channel 1.

Related Articles on Dance In Israel

• Interview with Yair Vardi: A View of Israeli Concert Dance from the Top
• Photodance Exhibit Celebrates 20 Years of Dance at Suzanne Dellal
• Tel Aviv’s 100th + Suzanne Dellal’s 20th = The Big Stage
• Remembering Big Performances at Suzanne Dellal’s Big Stage

Related Links

• Suzanne Dellal Center