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More About Vertigo Dance Company & the Eco-Art Village

Posted on 24 July 2010 by Deborah Friedes Galili


Vertigo Dance Company in Noa Wertheim’s Mana. Photo by Gadi Dagon.

With a studio in Jerusalem rather than Tel Aviv and another home base in the form of an Eco-Art Village on Kibbutz Netiv HaLamed-Hey, Vertigo Dance Company is certainly far from ordinary.  But what makes Vertigo even more of a standout is the exceptional artistry and socially conscious vision of its artistic directors, Noa Wertheim and Adi Sha’al.

From the very start, the couple’s striking choreography made an impression on the local dance scene. The pair’s first duet, Vertigo, drew not only from Sha’al’s own experience in the air force but also considered the feeling of dizziness within the context of personal relationships; the work garnered them the 1992 On the Way to London award from the British Council. The following year, their multimedia duet Contact Lenses won the first prize in the prestigious Shades of Dance festival for emerging choreographers.

As Wertheim and Sha’al expanded the ensemble of their Vertigo Dance Company, they became known for making daringly athletic work that explored deeply human issues.   The company’s repertory also shattered the conventions of traditional concert dance.  The Power of Balance (2001), a collaboration with British choreographer Adam Benjamin, integrated the group’s regular roster of dancers with disabled dancers.  Placing mankind’s relationship to the environment at its core, Birth of the Phoenix (2004) abandoned the theater for the outdoors, with the dancers performing on a dirt ground under a geodesic dome.

In June, Vertigo performed a trilogy of recent works – the iconic Birth of the Phoenix, the supremely energetic White Noise (2008), and the magnificent Mana (2009) – at the Israel Festival in Jerusalem. Now the company is bringing these three stellar dances to the Suzanne Dellal Center as part of the SummerDance 2010 festival with performances running from August 2 to August 4.   As a bonus, the performance of White Noise on June 3 will be followed by a meeting with the artists.

Want to learn more about this unique group?  Here are several videos with footage of interviews at the Eco-Art Village and the dances from the trilogy as well as Vertigo and Noa Wertheim’s appearance at the TedxTelAviv event.

Below is a video about Vertigo Dance Company’s Eco-Art Village, with brief clips primarily of Noa Wertheim’s Birth of the Phoenix.

In this next video, artistic directors Noa Wertheim and Adi Sha’al as well as some of Vertigo’s dancers talk about working in the Eco-Art Village. Many of the dance excerpts are from Wertheim’s White Noise.

Vertigo and Noa Wertheim were part of TedxTelAviv, which was held on April 26, 2010 at the Jaffa port.  The video below includes an excerpt from White Noise, followed by Wertheim discussing her move to the Eco-Art Village and her philosophy. The video closes with an excerpt of Mana.

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Maholohet: SummerDance 2010 Heats Up at Suzanne Dellal

Posted on 29 June 2010 by Deborah Friedes Galili

Video: Batsheva Dancers Create

The Batsheva Dance Company’s dancers might have cooled off at the beach to make this video, but this July, they – and many of Israel’s finest dancers – will be heating up the Suzanne Dellal Center’s stages during SummerDance 2010.  The annual festival, called Maholohet in Hebrew (a play on the words for “dance” and “hot”), will take place from July 1-August 31 and boast 84 performances.

Nuevo Ballet Español.  Photo courtesy of Ora Lapidot PR.

This year’s programming kicks off with a festival within the festival.  From July 1-10, Madrid Dance will showcase Spanish dance including the Antonio Najarro Dance Company, Nuevo Ballet Español, Sharon Friedman and Jesus Pastor, and Pastor and José Marino.  More international guests arrive later in the summer with dancers from the Paris Opera Ballet performing their own creations in Incidence Choreographique and with the Black Light Theatre from Prague in Africania.


Video: Rachel Erdos’s OU’ premieres at SummerDance 2010

As in previous years, premieres abound at SummerDance.  This year’s bounty, totaling 19 new works, will include premieres by Dana Ruttenberg, Kamea Dance Company, Tamar Borer and Tamara Erde, Portal Dance Company, DaNaKa Dance Group, Yoni Soutchy, Idan Sharabi, Ronit Ziv, Sigal Ziv, Elina Pechersky, Rena Schenfeld, Dafi Altebab, Mami Shimizaki, Sharon Vazanna, Anat Grigorio, the Jerusalem Ballet, and Rachel Erdos.  Sahar Azimi, Elad Shechter, and Ido Tadmor offer pre-premieres, and Yaniv Cohen’s work will be shown in its Israeli premiere.

Arkadi Zaides’s Quiet.  Photo by Gadi Dagon.

For audiences who missed some of this year’s most intriguing premieres, SummerDance offers a second chance to check them out.  Among the offerings are Arkadi Zaides’s Quiet, which recently returned from a tour of Europe, as well as the Kibbutz Contemporary Dance Company in Rami Be’er’s Infrared, Fresco Dance Group in Yoram Karmi’s Particle Accelerator, Kamea Dance Group in Tamir Ginz’s SRUL, Kolben Dance Company in Min-Hara, and Animato Dance Company in Nadine Bommer’s American Cinema. Inbal Pinto and Avshalom Pollak’s Rushes Plus and Ohad Naharin’s Kyr/Z/na 2010, both highlights of the last season, combine excerpts of older works in a strikingly new context. And Vertigo Dance Company presents not only its recent hit Mana but also White Noise and the now classic Birth of the Phoenix.

Batsheva Dancers Create.  Photo by Yoav Barel.

Several evenings pop out from the schedule with a mixture of interesting fare.  This year’s festival includes Batsheva Dancers Create, an annual workshop featuring two programs of Batsheva’s dancers in an array of their own choreography.  Another intriguing evening is Noa Dar’s presentation of her recent Anu alongside a work-in-progress, Banu, which is the extension of her previous creation.  And audiences will have a chance to sample a combination of choreographers when established artists host up-and-coming contemporary choreographer.  These programs include Dana Ruttenberg and Shlomit Fundaminsky hosting Neta Ruttenberg and Uri Shafir; Sahar Azimi hosting Elad Shechter and Yaniv Cohen; Dafi Altebab hosting Mami Shimizaki; and Idan Cohen hosting Sharon Vazanna.

Beta Dance Troupe in Meeka Yaari and Ruth Eshel’s Fathers and Sons. Photo by Ofer Zvulun.

SummerDance 2010 also features several companies and choreographers that add an ethnic flavor to the Israeli concert dance scene.  Beta Dance Troupe blends Ethiopian traditions with contemporary choreography in Meeka Yaari and Ruth Eshel’s Fathers and Sons as well as Adam McKinney and Daniel Banks’s What We are Saying. Rona Bar-On, Sigal Ziv, and Elina Pechersky bring belly dance to the stage, while COMPAS, Silvia Duran, and Tania Vinokur offer variations on flamenco.  Adding to the mix is Bangoura, an African dance company that will perform The dance of the drums.

Batsheva Ensemble in Ohad Naharin’s Kamuyot.  Photo by Gadi Dagon.

Want to attend a dance performance with your family?  Several family-friendly programs are dotting this year’s bill, including the Batsheva Ensemble in Ohad Naharin’s Kamuyot, Kamea Dance Group in Or Abuhav’s The Ugly Duckling, COMPAS in Carmen and Snow White and the Seven Dwarves, and Noa Dar Dance Group in Children’s Games.

Rounding out the programming are several critically acclaimed works created in recent years, including Yasmeen Godder’s Singular Sensation and Yossi Berg and Oded Graf’s Four Men, Alice, Bach and the Deer, and evenings of work by independent choreographers including Iris Erez, Shlomi Frige, Maya Levy, Michael Miler, and Michal Herman.

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Vertigo Dance Company: A Conversation with Choreographer Noa Wertheim

Posted on 25 May 2010 by Deborah Friedes Galili

 

Click here to download this podcast (mp3) episode

Adi Sha’al and Noa Wertheim of Vertigo Dance Company. Photo by Eyal Landesman.

(This podcast was initially produced for Israel Seen in 2008.  You can subscribe to this podcast using the iTunes software by clicking this link to the podcast feed.)

As I have traveled through Israel’s dance circles, I have run into Noa Wertheim and Adi Sha’al many times: at Vertigo Dance Company’s concerts at the Suzanne Dellal Center, at contact jams, and at a performance of Noa’s work on students from the Jerusalem Academy of Music and Dance.  With their company, their school in Jerusalem, and their growing artist village on Kibbutz Netiv HaLamed-Hey, this dynamic couple is a powerful force in the Israeli contemporary dance scene.  They’re also revolutionary in their community-centered and environmentally-conscious approach to dance.


Video: Vertigo Dance Company’s Birth of the Phoenix

In this interview, held in the spring of 2008, Noa talks about raising a family while directing a company, building the Eco-Art Village, choreographing the site-specific environmental dance Birth of the Phoenix, and engaging in “tikkun olam” – healing the world – through her work.


Noa Wertheim’s White Noise. Photo by Gadi Dagon.

When we spoke two years ago, Noa was mounting her White Noise, and in the fall of 2009, she premiered her Mana at the Curtain Up Festival.  Along with her iconic Birth of the Phoenix, these two works are now being performed by Vertigo at the Israel Festival in Jerusalem.

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*This post was made possible thanks to a Fulbright student grant funded by the U.S.-Israel Educational Foundation and hosted by the Jerusalem Academy of Music and Dance.

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Israel Festival 2010

Posted on 22 May 2010 by Deborah Friedes Galili

ISRAEL FESTIVAL 2010 from ISRAEL FESTIVAL on Vimeo.

Video: Preview of the Israel Festival 2010

As mid-May turns into late May here in Israel, spring is in full bloom.  The sun is now everpresent, no longer occasionally blocked by clouds, and the days grow hotter.  Rain showers are replaced by trickles of tourist groups, portending the forthcoming wave of summer visitors.  And in Jerusalem, the Israel Festival opens, providing the season’s freshest programming in theater, music, and dance.

The Israel Festival traditionally mixes some of the top names from the international arts scene with local favorites, and this year is no exception.  The 2010 dance line-up promises a particularly diverse array of renowned artists hailing from around the world.  Tangokinesis, based in Buenos Aires, brings a tantalizing mix of Argentinean tango and modern dance to Nuevo Tango. Shen Wei Dance Arts will arrive in Jerusalem from its home in New York, but the Chinese-born Wei’s style is infused with elements of Chinese opera, and his work Re is colored by his travels in Tibet, Cambodia, and China. British choreographer Akram Khan is known for blending Indian kathak dance with more modern movement, and his Gnosis is inspired by the Hindu Mahabharata. And the masterful Bill T. Jones will take on American history in Serenade/The Proposition, which incorporates striking video art along with the choreographer’s signature contemporary vocabulary.


Video: Bill T. Jones’s Serenade/The Proposition

Joining these visiting troupes on the festival’s stage is a hometown favorite, Vertigo Dance Company, which maintains a studio in Jerusalem as well as an innovative Eco-Art Village on nearby Kibbutz Netiv HaLamed-Hey. Vertigo will kick off the festival with two free shows of Noa Wertheim’s landmark environmental work, Birth of the Phoenix, before performing Wertheim’s White Noise and her most recent dance, Mana.

Vertigo Dance Company in Noa Wertheim’s Mana. Photo by Gadi Dagon.

The 2010 Israel Festival runs from May 25 until June 11.

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Vertigo Dance Company in Noa Wertheim’s “Mana”

Posted on 29 January 2010 by Deborah Friedes Galili

Video: Vertigo in Noa Wertheim’s Mana

Another guest at International Exposure 2009, Talia Baruch, covers the San Francisco-area dance scene for her blog GoSee– Dance. She wrote some reviews of dances she saw here in Israel in December for her website and is generously sharing them here on Dance In Israel.

Talia’s second guest article is about Noa Wertheim’s Mana, which premiered as part of Curtain Up’s 20th anniversary and was a hit with the audience at International Exposure.  Read on to hear Talia’s take on this captivating work.

* * *

International Exposure 2009—Suzanne Dellal Dance Center | Vertigo Dance Company

By Talia Baruch

MANA
Vessel of Light

Choreography & Artistic Director: Noa Wertheim | Co-Artistic Director: Adi Sha’al | Music: Ran Bagno | Percussion: Dani Makov | Stage & Costume Design: Rakefet Levy | Lighting Design: Dani Fishof | Still photography: Gadi Dagon | Review & Copywriting: Talia Baruch

Mana dances the tension between container and contained, exterior and interior, whole and hollow.

And what is installed first, vessel or light?
Does the Sun rise to fill in the absence of Moonlight, or rather is it the lack of Moonlight that creates the inspiration of its vessel, container of light?
(Based on the Zohar)

Noa Wertheim’s Mana. Photo by Gadi Dagon.

Noa Wertheim’s Mana. Photo by Gadi Dagon.

This timeless tale follows the flow in black and white, with few specks of ruddy-warm.  The bewitching-dark night stands in still, mystical contrast to the milky-white house, symmetrically centered in its simple stable form on stage.

Geometric shapes will now act out the dialogue between feminine and masculine, draw the drama between the forces of life that forever struggle to compliment each other:

Feminine: circular, soft black balloon, hanging like a full moon, up above the house

Masculine: pointy, sharp angular triangular roof, edgy rectangular door, protruding

Feminine: curve and crave in sensual, spiral hip-stirred movements

Masculine: stride, high-strung, across the stage in “connect-the-dot”-like linear routes

Noa Wertheim’s Mana. Photo by Gadi Dagon.

Both forces aspire to escape the hollow and reach the whole in this quest to be holistically contained and content. The visual image interlaced throughout the show is of a black balloon attached to a dancer, pulling her up, tall, stretching out for perfection, her white legs long and strong, trotting like a royal horse in a parade.

Noa Wertheim’s Mana. Photo by Gadi Dagon.

At first glance, the fully dressed, almost orthodox, costumes communicate a puritan, reserved modesty.  But quite quickly, a bare foot peeking under heavy garment, an escaping white shoulder, a curving contour, a tight waistline, a hip, lend to a sensual, lustful, communication.  The free-fall back bends and suicidal leaps shatter the quiet, restrained recital.

Noa Wertheim’s Mana. Photo by Gadi Dagon.

The music drapes the dancers like a fitted gown, in sync, in tune. I play the soundtrack CD over and over and give in to the lyric mood quietly setting in.  Ran Bagno, who has been working hand in hand with Vertigo’s mom and pap (Noa and Adi), wrote the score and played all the instruments, except for percussion, tapped by Dani Makov.  I sit with Bagno over cappuccino on a sunny winter day in down town Tel Aviv and ask him about the creative process of piecing music for this show. “Unlike some other dances, Mana isn’t a collage of fragmented scenes,” he says, “rather, it’s composed as a single, comprehensive piece. When Noa came out with the idea of a ‘vessel holding light’ I struggled to find just the right musical instrument to fit in…until I stumbled over my kid’s old, abandoned guitar. Something about its virgin, broken, acoustic sound was perfect for infusing the muse.”

Noa Wertheim’s Mana. Photo by Gadi Dagon.

Watching the fluid flow of movement on stage, I’m reminded of Alexander Calder’s art — capturing compound sketches in one single line stroke.  The expression captured in Mana carries the visual aesthetics of calligraphy: fine brush, dipped in black ink, forms a black blotch over snow white paper.  Then, in a single skilled hand, it drifts, pulling up tall, lying low, and spiraling all the way through.

Noa Wertheim’s Mana. Photo by Gadi Dagon.

Vertigo Dance Company founded the pea-green Eco Art Village, where they live and create in a little utopian planet of clean air and fresh manure: http://www.eco-artvillage.org/index_eng.asp. This might explain why their work is genuinely untainted, raw and earthly.

Talia Baruch is a writer and translator covering the dance/theater scene in San Francisco, where she has been living for the past 11 years. She is the founder of Copyous, providing creative copywriting and Localization Strategies. The ingredients that shaped her life are the explosive dance scene in urban Tel Aviv, where she grew up, the pea-green English country side, where she inhaled a handsome amount of fresh-manure & horseback-countered through endless woods, and the 24/7 Localization/Internationalization business bustle, that put perspective to it all. www.copyous.com

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