Tag Archive | "Avshalom Pollak"

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Israeli Dance: What’s Happening in October

Posted on 06 October 2009 by Deborah Friedes Galili


Video: Maria Kong’s Fling

As usual, there are lots of dance performances happening in Israel’s dance scene this month – but as I looked at the calendar, I realized that October is packed with several extra-special events.  Below are some teasers for premieres, festivals, foreign tours, online contests, and more.  For additional information about the following events and other performances, please visit the Dance In Israel Calendars.

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More on Maholohet: A Hot Summer of Dance Continues

Posted on 29 July 2009 by Deborah Friedes Galili


Video: Aviv Eveguy’s Dimona will show at Maholohet on August 4

Yes, I know, I already posted one article about Maholohet (SummerDance).  But some people might need a reminder that there’s still one month left of nearly nightly performances at Suzanne Dellal, and perhaps those of you who are abroad would like to hear a bit more about this Israeli summer tradition.

Although I was lucky enough to see many of the festival’s offerings earlier this season, several of this summer’s works were new (or new to me), and so in July I found myself walking over to Suzanne Dellal a few times a week.  One of the standouts so far was Yoram Karmi and Uri Morag’s Man, Woman, Reflections, with its brilliant use of swinging lamps, illuminating projections, and clever choreography involving innovative sets.  The two-part Under by Matanicola and Yasmeen Godder also delivered a punch with its intense atmosphere and powerful performances.  And just this week, Inbal Pinto and Avshalom Pollak’s Rushes caught my eye with images that were simple, striking, and sustained for just the right amount of time.

Even if you’ve missed these concerts, there’s still plenty to come!  Read on to see what else will heat up the stage this summer – all of the works I’ve mentioned below will be performed during August.

The article below was first published as “Some Summer Spice” in the Jerusalem Post on July 12, 2009.

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Some Summer Spice

Even the numbers of the Suzanne Dellal Center’s SummerDance Festival are impressive: eight weeks of concerts, 76 performances, 11 premieres and one group of special guests from abroad. But what’s behind the statistics – an exceptionally diverse assortment of dance – is even more extraordinary.

SummerDance 2009 (Maholohet, a play on the phrase “hot dance” in Hebrew) has showcased the wealth of Israeli concert dance since its inception 13 years ago.  What started as a three-week festival gradually expanded, and now, with the Suzanne Dellal Center celebrating its 20th anniversary, SummerDance is having its hottest season yet.

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Inbal Pinto Dance Company: “Oyster” and “Shaker”

Posted on 25 June 2009 by Deborah Friedes Galili

"Oyster" by Inbal Pinto and Avshalom Pollak

“Oyster” by Inbal Pinto and Avshalom Pollak.  Photo by Eyal Landesman.

I’ve already seen Inbal Pinto and Avshalom Pollak’s Oyster twice, but I leaped at the chance to see it again at the Suzanne Dellal Center last week.

This time around I brought my partner, Tal.  Tal never went to dance performances before meeting me, but in the last year, he’s been to his fair share of concerts.  Yet after Oyster, he did something he’d never done before: he leaned over and whispered mournfully in my ear, “Is that it?  It’s over?”

Like me, Tal fell in love with this magical work, and in doing so, he confirmed my suspicion that this is one of those few productions that nearly everyone – devoted dance lovers and novice viewers alike – should see.  Israeli audiences may need to wait a little while longer to watch Oyster again, but this week they can catch the company’s captivating performances of Shaker at the Suzanne Dellal Center.

The article below was first published in the Jerusalem Post as “Can’t Shake Oyster”

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Can’t Shake Oyster

It’s not every dance that can boast 10 years of consistently packed concerts.  But Inbal Pinto and Avshalom Pollak’s Oyster is one of these rare, beloved works.  Having surpassed the 400th performance mark earlier this year, Oyster is now celebrating its tenth anniversary with performances by the Inbal Pinto Dance Company at the Suzanne Dellal Center.

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International Exposure Sends Israeli Dance Around the World

Posted on 13 February 2009 by Deborah Friedes Galili

"Monger" by Barak Marshall

(Photo: Barak Marshall’s Monger has been invited to tour abroad.  Photo by Gadi Dagon.)

Ynet, the website for the Israeli newspaper Yediot Ahronot, announced this week that International Exposure has already yielded invitations for several Israeli choreographers to travel abroad.  I’ve gleaned the following information from Ynet’s Hebrew article.

Barak Marshall’s production, Monger, proved to be a big hit among the visitors to International Exposure.  It will tour to Spain, Switzerland, Croatia, and Romania this spring.  The dance will later be shown at the Joyce Theater in New York and at the 2010 Dance Umbrella Festival in London.

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Snapshots from International Exposure 2008

Posted on 07 February 2009 by Deborah Friedes Galili

Hydra

Hydra by Inbal Pinto and Avshalom Pollak closed International Exposure.  Photo by Seto Hidemi.

Most visitors to this year’s International Exposure were festival directors, arts presenters, diplomats, or critics.   I, however, came as a researcher.   With this festival – as with my other research activities – I sought to discover, to interpret, to understand.  I searched for old connections and new pathways.

Featuring over 40 works, International Exposure was exactly the right place to look for the threads which tie together this country’s concert dance scene.  The festival is a like a yearbook for Israeli dance.  The offerings by each choreographer serve as the album’s individual portraits.   Mixed bills drawn from some of the country’s other festivals (Curtain Up; Machol Acher/Other Dance Project) hint at the structure of the dance community, just as club pictures reveal a school’s cliques and groups.  And with the 20+ concerts clustered together in a mere six days, it’s possible to see the trends which characterized much this year’s artistic output. (( It should be noted, though, that some choreographers were missing from this year’s International Exposure.  Some well-established artists including Nimrod Freed, Anat Danieli, and Adama’s Nir Ben-Gal and Liat Dror did not present work at the festival.  Meanwhile, younger independent choreographers are far greater in number than those represented onstage. ))

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