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More on Maholohet: A Hot Summer of Dance Continues

Posted on 29 July 2009 by Deborah Friedes Galili

Video: Aviv Eveguy’s Dimona will show at Maholohet on August 4

Yes, I know, I already posted one article about Maholohet (SummerDance).  But some people might need a reminder that there’s still one month left of nearly nightly performances at Suzanne Dellal, and perhaps those of you who are abroad would like to hear a bit more about this Israeli summer tradition.

Although I was lucky enough to see many of the festival’s offerings earlier this season, several of this summer’s works were new (or new to me), and so in July I found myself walking over to Suzanne Dellal a few times a week.  One of the standouts so far was Yoram Karmi and Uri Morag’s Man, Woman, Reflections, with its brilliant use of swinging lamps, illuminating projections, and clever choreography involving innovative sets.  The two-part Under by Matanicola and Yasmeen Godder also delivered a punch with its intense atmosphere and powerful performances.  And just this week, Inbal Pinto and Avshalom Pollak’s Rushes caught my eye with images that were simple, striking, and sustained for just the right amount of time.

Even if you’ve missed these concerts, there’s still plenty to come!  Read on to see what else will heat up the stage this summer – all of the works I’ve mentioned below will be performed during August.

The article below was first published as “Some Summer Spice” in the Jerusalem Post on July 12, 2009.

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Some Summer Spice

Even the numbers of the Suzanne Dellal Center’s SummerDance Festival are impressive: eight weeks of concerts, 76 performances, 11 premieres and one group of special guests from abroad. But what’s behind the statistics – an exceptionally diverse assortment of dance – is even more extraordinary.

SummerDance 2009 (Maholohet, a play on the phrase “hot dance” in Hebrew) has showcased the wealth of Israeli concert dance since its inception 13 years ago.  What started as a three-week festival gradually expanded, and now, with the Suzanne Dellal Center celebrating its 20th anniversary, SummerDance is having its hottest season yet.

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Home Port Festival Lures Audiences to Jaffa Port

Posted on 03 April 2009 by Deborah Friedes Galili

Aviv Eveguy at Home Port

Choreographer Aviv Eveguy performing a solo at Home Port’s opening night.  Photo by Aharela Golran.

The night before my flight to Boston, I trekked down to Jaffa one more time for a performance of Shlomit Fundaminsky and Itay Yatuv’s Metaktek (Ticking) at the Home Port Festival.  As I descended to the port, a car pulled up and a couple asked for directions to hangar #2.  I answered them and smiled – hangar #2 is, well, home to Home Port.

Located next to a swarm of bobbing fishing boats, this enormous hangar is not your typical destination for a dance performance.  Yet the members of the Choreographers Society have lured a mix of devoted dance fans and less seasoned audience members to the Jaffa Port over the last several weeks.  Though some performances were more sparsely attended, the opening marathon of solos on March 12 actually sold out!  Those who were turned away at the door – and those who simply couldn’t make it that night – have a second chance to witness this extraordinary program when the festival closes on April 6.

With concerts nearly every evening and so many choreographers participating, Home Port was a fantastic opportunity for me to expand my familiarity with the Israeli dance scene.  The festival introduced me to Neta Shizef’s flamenco work and to Anat Katz’s contemporary choreography.  I finally got to see dances I had missed over the last season, like Aviv Eveguy’s Dimona, Yossi Berg & Oded Graf’s Heroes, Nadine Bommer’s Manimation, and the Tel Aviv Dance Company’s Tokyo Oranges.  And I happily re-viewed several works, including Hillel Kogan’s Everything, Yoram Karmi’s La Famiglia, and Noa Shadur’s Hunting Rabbits in the North.

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