Nearly every time I have written about Gaga, I have received inquiries from readers about opportunities to study Ohad Naharin’s movement language. Several people have wondered about attending a Gaga intensive, and now I’m happy to announce that there will indeed be a workshop in Tel Aviv from July 19th-31st, 2009. Contact [email protected] for more information.
Although I spent most of the summer of 2008 in the U.S., I visited the Gaga workshop for a day and joined participants in their classes. To get a sense of what might be in store for this year’s Gaga intensive, check out my reflection on last year’s experience, posted below. My article was originally written for The Winger on July 30, 2008.
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In between packing and tying up various loose ends in Tel Aviv a few weeks ago, I swung by the Suzanne Dellal Center to check out Batsheva’s Gaga intensive workshop. Eldad Mannheim, who manages the Batsheva Ensemble, had told me it was full, but I don’t think I was prepared for what I saw when I walked into Studio Varda on a Wednesday afternoon. Dancers had come literally from all over the world – the U.S., Mexico, Italy, Japan, South Korea, and no doubt many other countries – to study Gaga.
The participants had already taken a morning Gaga class by the time I arrived, and now they were busily reviewing material from the daily repertory class in small groups. On the day I attended the workshop, Danielle and Bosmat first led us through a tight gestural section from Ohad Naharin’s MAX. After seeing this excerpt not only in MAX but in several performances of Seder, I was quite eager to try my hand(s) at this movement (so to speak).