Tag Archive | "Eldad Mannheim"

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A Glimpse into the Gaga Workshop

Posted on 07 April 2009 by deborah friedes


Gaga Intensive. Photo by Gadi Dagon.

Nearly every time I have written about Gaga, I have received inquiries from readers about opportunities to study Ohad Naharin’s movement language.   Several people have wondered about attending a Gaga intensive, and now I’m happy to announce that there will indeed be a workshop in Tel Aviv from July 19th-31st, 2009.  Contact [email protected] for more information.

Although I spent most of the summer of 2008 in the U.S., I visited the Gaga workshop for a day and joined participants in their classes.  To get a sense of what might be in store for this year’s Gaga intensive, check out my reflection on last year’s experience, posted below.  My article was originally written for The Winger on July 30, 2008.

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In between packing and tying up various loose ends in Tel Aviv a few weeks ago, I swung by the Suzanne Dellal Center to check out Batsheva’s Gaga intensive workshop.  Eldad Mannheim, who manages the Batsheva Ensemble, had told me it was full, but I don’t think I was prepared for what I saw when I walked into Studio Varda on a Wednesday afternoon.   Dancers had come literally from all over the world – the U.S., Mexico, Italy, Japan, South Korea, and no doubt many other countries – to study Gaga.

The participants had already taken a morning Gaga class by the time I arrived, and now they were busily reviewing material from the daily repertory class in small groups.  On the day I attended the workshop, Danielle and Bosmat first led us through a tight gestural section from Ohad Naharin’s MAX.  After seeing this excerpt not only in MAX but in several performances of Seder, I was quite eager to try my hand(s) at this movement (so to speak).

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Getting to Know the Batsheva Ensemble

Posted on 05 January 2009 by Deborah Friedes Galili


(Video: Dancers from the Batsheva Ensemble and from Sweden in Ohad Naharin’s Kamuyot)

I had every intention of taking Gaga class on November 18, 2007.  My dance clothes were in my bag, my water bottle was filled, and I made it to Suzanne Dellal with time to spare.  But outside the studio, I ran into Eldad Mannheim, the manager of the Batsheva Ensemble.  As part of a collaboration with Sweden’s National Riksteatern, members of the Ensemble were about to perform Ohad Naharin’s Kamuyot along with Swedish dancers – and Eldad invited me to join the audience of school children in Studio Varda for the show.

That was the first time I had the pleasure of seeing the Batsheva Ensemble, the second company of the Batsheva Dance Company.  Since then, I have accompanied the Ensemble as they have toured to Be’er Sheva, Kiryat Shmona, and Kfar Saba, and I have attended their performances at the Suzanne Dellal Center in Tel Aviv.  Many of the dancers who were in the Ensemble last year are now in the Batsheva Dance Company, and I’m happy to note that they will be touring throughout the U.S. from late January to early March.  I hope you too will have the pleasure of seeing them perform!

I first wrote about the Batsheva Ensemble after joining them for a trip to Be’er Sheva, in the Negev desert, and I published a version of the article below on my own blog on January 10, 2008.  Expect more accounts of my experiences with the group in the coming months.

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I am not a morning person.

These days, it takes multiple alarms to get me out of bed, and more often than not, the snooze button takes a beating.  But at 5 a.m. on Thursday morning, I successfully arose after a single ring of my alarm. It takes something special for me to get up before the sun rises – something like the chance to accompany the Batsheva Ensemble on their trip to perform for students in Be’er Sheva. Continue Reading

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