Tag Archive | "Idan Raichel Project"

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Phaza Morgana 2009: Batsheva Dance Company in the Desert

Posted on 25 October 2009 by Deborah Friedes Galili


Ohad Naharin’s Anaphaza.  Photo by Gadi Dagon.

Two weeks ago, the distinctive sound of dancers drumming on enormous water cooler bottles flooded the courtyard of the Suzanne Dellal Center as the Batsheva Dance Company rehearsed Ohad Naharin’s Anaphaza.  But last week, the studios were eerily silent.  Why?  Batsheva took Anaphaza, water bottles and all, down to the Arava desert for Phaza Morgana 2009.  From October 22-25, the usually placid Timna Park overflowed with audiences and energy as Batsheva and the Idan Raichel Project put on three spectacular shows.

My preview of Phaza Morgana was originally published as “Dance in the Desert” in the Jerusalem Post.

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Dance in the Desert

This weekend, the desert won’t be so deserted.  Crowds of eager spectators are flocking to scenic Timna Park, twenty-five kilometers north of Eilat, for Isrotel Phaza Morgana 2009.  Nestled among the park’s striking rock formations at the foot of the magnificent Solomon’s Pillars, a 3,000 seat amphitheater will host three spectacular programs designed to entice the senses and enliven the spirit.

The world-renowned Batsheva Dance Company has partnered with the Israeli hotel chain Isrotel to present Phaza Morgana on five previous occasions, but this year’s festival promises to be the most sensational event yet.  As in previous seasons, the dance troupe’s large-scale production of Anaphaza forms Phaza Morgana’s centerpiece and maintains a magical appeal.

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Remembering Big Performances at Suzanne Dellal’s Big Stage

Posted on 19 July 2009 by Deborah Friedes Galili

Barak Marshall's "Monger"

Barak Marshall’s Monger.  Photo by Gadi Dagon.

This summer has already been so packed with festivals and performances that I have barely had time to reflect, but I figured it’s high time that I post an article I wrote at the end of Suzanne Dellal’s Big Stage.

I’ve been to numerous festivals since moving to Israel, but the Big Stage stands head and shoulders above many others in my mind.  There was something magical about the festival’s outdoor setting, and each impressively large-scale performance brought its own theatrical marvels to the already enchanting space.  Further adding to my enthusiasm about the festival was the dual reason for its existence: Tel Aviv’s centennial and Suzanne Dellal’s 20th anniversary.  It’s pretty hard to top that!

I first published the article below as “Big Performances” in the Forward on June 19, 2009.  Read on to get a sense of what this spectacular festival was like – or to refresh your own memories of this momentous event.

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Big Performances

An eager crowd took its seats high above the Suzanne Dellal Center’s plaza for the opening of the three-week festival Habama Hagdola — The Big Stage.  Two majestic palm trees framed the large outdoor stage, and the center’s main building provided a picturesque backdrop.  A glance around revealed the impressive scenery of the first century of Tel Aviv: quaint red-roofed homes of the Neve Tzedek neighborhood overtaken within a few blocks by modern skyscrapers.

But it was the action onstage that captured the audience’s gaze.  Rooted in a wide stance, five women grabbed their heads and raised their arms in exasperation.  Rocking vigorously in place, they performed a series of intricate gestures. Even the smallest motion — a lift of the hip, a tilt of the chin — was delivered with attitude.  The movement grew, the pace quickened, and the tension built as five men approached the women.

This nuanced, lively dance — Barak Marshall’s Monger — was only part of the excitement onstage.  The popular band Balkan Beat Box lent its infectious rhythms and hypnotic vocals to the choreographic excerpts.  As the dance and live music mixed, Marshall recounted, “the energy on the stage was explosive and surprising.”

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Tel Aviv’s 100th + Suzanne Dellal’s 20th = The Big Stage

Posted on 13 May 2009 by Deborah Friedes Galili

The Big Stage at Suzanne Dellal

Photo of the Big Stage by Ariel Besor.

Something big is about to happen.  It’s the biggest cultural draw in town from May 14 until June 6th.  And fittingly, it’s titled Habama Hagdola: The Big Stage.

This isn’t the first time that the plaza of the Suzanne Dellal Center has been turned into a massive, open air theater.  The pictures in this post show a previous transformation from a few years ago.  But this time around, the construction of the Big Stage is marking something truly huge: the 100th anniversary of Tel Aviv and the 20th anniversary of the Suzanne Dellal Center, Israel’s premiere center for dance.

To celebrate both of these occasions, the Big Stage (sometimes translated as the Great Stage) will present some of Israel’s top dance companies and musical groups as well as world-renowned troupes from abroad.  The opening night combines both art forms in a special performance by Balkan Beat Box, with excerpts from Barak Marshall’s “Monger” that are set to music by the popular Israeli band.  As part of the festivities, Yair Vardi, Suzanne Dellal’s director, will receive an award from the Foreign Ministry for his contribution to the field of Israeli dance.

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