Lazaro Godoy in Zero-Z-One.
March has been a particularly rich month for dance in Tel Aviv, with both Shades of Dance (Gvanim) at Suzanne Dellal and Home Port in Jaffa. But two of this month’s more unique offerings – Lazaro Godoy’s Zero-Z-One and Dana Ruttenberg’s NABA – premiered outside of these festivals.
In background and approach, these two artists are themselves unique. Cuban-born and Juilliard-trained, Lazaro Godoy performed in Switzerland before landing in Israel last year; since his arrival, he has caught my eye in dances by Inbal Pinto and Avshalom Pollak, Sahar Azimi, and Maya Levy. Dana Ruttenberg, an Israeli native, also made her way to Manhattan. After receiving her undergraduate degree from Columbia University, she showed her choreography throughout New York before returning to her native country.
Both Lazaro and Dana cast away the conventions of dance concerts in their latest works. With Zero-Z-One, Lazaro trades the proscenium theater for an open plaza and multi-room gallery in old Jaffa, where he dances a response to visual artist Ayal Shifron’s exhibit Positioning. Meanwhile, Dana’s NABA stays on the stage but abandons a traditional sound score. Instead of piping music into the theater, Dana provides audience members with headsets and audio guides like those used in museums.