Speaking with choreographer Nimrod Freed in 2008 gave me a much clearer sense of the institutional map of Israeli contemporary dance.
“I am interested more in what is under the words, what is under our life. I’m more interested in energy, in what people don’t say. And I’m trying to dance it,” says Nimrod Freed.
As the buzz about this year’s 20th anniversary celebration grew, I wanted to find out more about the history of Curtain Up.