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Experiencing Yasmeen Godder’s Repertory Workshop

Posted on 30 September 2009 by Deborah Friedes Galili

Yasmeen Godder's "Two Playful Pink"

Yasmeen Godder and Iris Erez in Godder’s Two Playful Pink.  Photo by Tamar Lamm.

More than a year ago, I had the opportunity to take a week-long repertory workshop at Yasmeen Godder’s studio.  I found the intensive enriching both as a dancer and as a dance researcher, and I recounted my experience on The Winger on April 4, 2008; that article is posted below.

Now another batch of advanced dancers will have the chance to sink their teeth into Godder’s meaty material during a brand-new, year-long intensive.  Hosted by ActSearch and held at Godder’s studio in Jaffa, this program will build participants’ physical and expressive skills through a mix of technique classes, repertory workshops, and sessions with dramaturge Itzik Giuli.

Besides preparing for this exciting endeavor, Godder has been touring one of her latest works, Singular Sensation. Want to watch some of her work and see what’s in store for her new students?  There are lots of upcoming performances in several locations.  After one more performance of Singular Sensation at Suzanne Dellal on October 1, the production is traveling to Prague and Bern in October before touring Germany and Belgium in November.  For more information on the intensive workshop and the tour, check out the links at the end of this article.

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Yasmeen Godder’s Repertory Worskhop (April 2008)

It’s been more than seven months since I have learned new repertory, and while I’m loving my dance classes and improvisational projects, I do miss the process of absorbing and living in a piece of choreography.   So even though my body feels a bit tired now, my spirit is extremely happy after tasting a bit of Yasmeen Godder’s work!

I just finished a five-day workshop at her studio in Jaffa (at the south of Tel Aviv – technically, the city is Tel Aviv-Yafo).  Yasmeen is currently on tour in Europe with her production Sudden Birds, so two of her dancers led the intensive.  Each day began with Eran Shanny’s technique class, which was very similar to Yasmeen’s with its influences of release technique, yoga, Feldenkrais, and more.

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Reflections on the Gaga Intensive 2009

Posted on 06 August 2009 by Deborah Friedes Galili

Gaga Intensive

Ohad Naharin leads class at the Gaga Intensive 2009.  Photo by Gadi Dagon.

Last year, I only made it to two days of the Gaga Intensive because I was heading back to the U.S. for the summer.  But this year, I enjoyed two glorious weeks of dancing with 120 participants from around the world.  During our breaks, I talked to many of the dancers about why they came to the workshop, what they enjoyed most, and what they got out of the experience.  I’ll be posting more of my writing about the Gaga Intensive later, but first I wanted to bring you some inspiring voices from these dancers.

If you want to share your experience from the Gaga Intensive, you can write a comment at the bottom of this post!

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Allison Shir

– United States, via Amsterdam

I came to the Gaga workshop to expand my vocabulary in a new way.  Sometimes if you keep going to the same classes and do the same styles, your artistry can get stale.  I think this [intensive] is a lot about how your artistry can feed your physicality and technique rather than the other way around.  I think that makes for a much richer and satisfying workshop, and you can take away a lot for your career and your life.  It’s not just about dancing with your body but with your life, and about the interconnectedness of everything – there are dynamic possibilities within everything here.

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