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Home Port Festival Lures Audiences to Jaffa Port

Posted on 03 April 2009 by Deborah Friedes Galili

Aviv Eveguy at Home Port

Choreographer Aviv Eveguy performing a solo at Home Port’s opening night.  Photo by Aharela Golran.

The night before my flight to Boston, I trekked down to Jaffa one more time for a performance of Shlomit Fundaminsky and Itay Yatuv’s Metaktek (Ticking) at the Home Port Festival.  As I descended to the port, a car pulled up and a couple asked for directions to hangar #2.  I answered them and smiled – hangar #2 is, well, home to Home Port.

Located next to a swarm of bobbing fishing boats, this enormous hangar is not your typical destination for a dance performance.  Yet the members of the Choreographers Society have lured a mix of devoted dance fans and less seasoned audience members to the Jaffa Port over the last several weeks.  Though some performances were more sparsely attended, the opening marathon of solos on March 12 actually sold out!  Those who were turned away at the door – and those who simply couldn’t make it that night – have a second chance to witness this extraordinary program when the festival closes on April 6.

With concerts nearly every evening and so many choreographers participating, Home Port was a fantastic opportunity for me to expand my familiarity with the Israeli dance scene.  The festival introduced me to Neta Shizef’s flamenco work and to Anat Katz’s contemporary choreography.  I finally got to see dances I had missed over the last season, like Aviv Eveguy’s Dimona, Yossi Berg & Oded Graf’s Heroes, Nadine Bommer’s Manimation, and the Tel Aviv Dance Company’s Tokyo Oranges.  And I happily re-viewed several works, including Hillel Kogan’s Everything, Yoram Karmi’s La Famiglia, and Noa Shadur’s Hunting Rabbits in the North.

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Behind the Scenes at Gvanim: Shades of Dance Festival

Posted on 17 March 2009 by Deborah Friedes Galili

Michael Miler's "Speed of Light"

Michael Miler’s The Speed of Light will be performed in program 1 of Shades of Dance.  Photograph by Eyal Landesman.

Last Saturday night was chilly and wet, but despite the discouraging weather conditions, I bundled up and trekked down to the Suzanne Dellal Center.  Choreographer Micheal Miler of Haifa’s Sigma Ensemble had invited me to a rehearsal for the Shades of Dance festival (called Gvanim in Hebrew).  Shades of Dance is mounted biennially, and since last year was an off year, I had effectively been waiting to attend the festival for over a year and a half.  A little rain wasn’t about to stop me from this special sneak peak.

Since its inception in 1984, Shades of Dance has showcased artists who are relatively fresh to the field of choreography.  It has helped launch the careers of some of Israel’s best-known choreographers including Yasmeen Godder, Inbal Pinto, Emanuel Gat, Ronit Ziv, Barak Marshall,  Renana Raz, Shlomi Bitton, Anat Danieli, Itzhik Galili, Sally-Anne Friedland, Yossi Yungman, Tamar Borer, Liat Dror and Nir Ben-Gal of Adama, Noa Wertheim and Adi Sha’al of Vertigo Dance Company, and Yoram Karmi of Fresco Dance Group.

Perhaps this is why my anticipation of this festival feels different: I can’t help but wonder what new choreographic voices will be revealed this year.  A mind-boggling 80 dances were submitted to the festival’s selection committee, composed of artistic director Hanoch Ben Dror with Ya’ara Dolev, Sally-Anne Friedland, Renana Raz, and Niv Sheinfeld.   I’m looking forward to seeing what sets the 10 chosen works apart from their competition when the 15th Shades of Dance festival opens this week.

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Home Port Festival: 54 Choreographers in 33 Concerts at the Jaffa Port

Posted on 11 March 2009 by Deborah Friedes Galili

Choreographers Association

The choreographers of the Amuta in Jaffa for the Home Port Festival.  Photo by Dorit Talpaz.

The first hint that something big was happening in Israel’s concert dance scene was an e-mail from Yossi Berg and Oded Graf about their upcoming performance schedule.  One listing mysteriously said that the duo was presenting Heroes at the Jaffa port for a choreographers festival.  Choreographers festival?  In Jaffa?  Many dance festivals here are annual ones, and I didn’t remember anything like that from last year.

Next I started to see some Facebook events popping up, with choreographers including Hillel Kogan, Noa Dar, Shlomit Fundaminsky, and Niv Sheinfeld & Oren Laor inviting friends to attend performances at the port during March.   My curiosity grew as the number of choreographers involved increased.

Finally, Yasmeen Godder pulled me over before class one day and told me I should look into a very exciting, unprecedented event: the Home Port festival.  As I talked more with her and followed a few leads, I found out that this was, indeed, something big.

The Home Port festival was initiated by the Amuta (which translates as the Choreographers Association or the Choreographers Society), an umbrella organization for fifty-four independent choreographers who draw from styles as varied as contemporary dance, flamenco, and belly dance.  Working outside of the country’s larger companies, these established choreographers are responsible for much of Israel’s flourishing concert dance scene – and all of them will present their creations in thirty-three different concerts over the next four weeks in a hangar at Jaffa’s port.

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International Exposure 2008: Day 5

Posted on 24 January 2009 by Deborah Friedes Galili

(Video: Vertigo Dance Company in Noa Wertheim’s White Noise)

There is no rest for the weary.  In Israel, Saturday is Shabbat, the day of rest – but International Exposure is not letting us sleep in this morning.  The schedule looks good, though, so I’m not too upset!

Today we start at 11:00 a.m. with Vertigo Dance Company in Noa Wertheim’s full-length White Noise.  Then we’ll leave Suzanne Dellal and head across Tel Aviv to Tmuna Theater.  At this smaller space, we’ll see part of Tamar Borer’s butoh-influenced Bardo as well as Noa Shadur’s Hunting Rabbits in the North.

After a reception in the evening, we finish our day with a mixed bill: Rina Schenfeld’s Dance Me to the End of Love; Tirza Sapir’s High Tide, Low Tide (performed by Rikudnetto/DanceNet Group); Idan Cohen’s Joy Ride; and excerpts from Yoram Karmi’s Pulcinella (performed by the Fresco Dance Company).

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