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International Exposure 2010: Video Preview

Posted on 05 December 2010 by Deborah Friedes Galili

Nir Ben-Gal and Liat Dror’s Terminal B. Photo by Naama Nada.

Even though December has started and the shelves of Tel Aviv’s bakeries are lined with sufganiot, the jelly donuts traditionally eaten during Hanukkah, many of Tel Aviv’s residents are still walking around in tank tops and sandals. Unusually hot days and sunny skies have made it easy for the masses to pretend that summer never ended. But for those of us who follow the dance field, there is no denying that the calendar year is coming to a close. The tip-off is in the posters and fliers on display at Suzanne Dellal as well as the press releases and invitations received via e-mail, all announcing the arrival of the annual showcase of Israeli dance: International Exposure.

Nimrod Freed’s Flash.  Photo by Itamar Freed.

The exact shape and scope of International Exposure have shifted since its first incarnation sixteen years ago. For many years in the late 1990s and early 2000s, it operated in conjunction with Curtain Up, the country’s premiere platform for new works by independent choreographers. The festival has stretched over a varying number of days and welcomed crowds both intimate and large. But throughout, the goal has remained the same: to display the wealth of works premiered over the past year to foreign arts presenters, dignitaries, and journalists in the hopes of sending Israeli dance around the world.

Orly Portal’s Gnawia

International Exposure 2010 will run from Wednesday, December 8 through Sunday, December 12, and the schedule features an enticing array of established companies and independent choreographers. Most of the programs will take place at the Suzanne Dellal Centre, but a number of concerts and informal showings will take place at other performance venues and studios. And while some of the events are offered only to the festival’s guests, many of the shows are open to the public.  Below is a guide to the events that are accessible to local dance lovers (and a sneak peek at International Exposure for those of you who are not in town).  All shows are at Suzanne Dellal unless otherwise noted.

Wednesday, December 8

Video: Ohad Naharin’s Kyr/Zina

International Exposure starts out with the Batsheva Ensemble, the Batsheva Dance Company’s junior division, performing Ohad Naharin’s Kyr/Zina at 20:00.

Thursday, December 9

Rami Be’er’s Transform. Photo by Gadi Dagon.

International Exposure’s first full day kicks off at 11:00 with the Kibbutz Contemporary Dance Company in Rami Be’er’s new Transform, which premiered during the international Tel Aviv Dance festival this past fall.

Curtain Up 2010 will be represented by three separate bills shown at 16:00, 19:00, and 22:30.

Video: Tamar Borer and Tamara Erde’s Ana

Thursday’s offerings also include a performance of Tamar Borer and Tamara Erde’s latest collaboration, Ana, at 20:30.

Friday, December 10

Friday’s programming includes a fair amount of moving about to different theaters in the area.

Video: The Project in Jacopo Godani’s Light Years.

At 14:00, The Project – a joint initiative by the Suzanne Dellal Centre and the Israeli Opera – will present a mixed bill at the Opera House in the heart of Tel Aviv.   The program includes Emanuel Gat’s Through the Center, Jacopo Godani’s Light Years, and Marco Goeke’s Supernova.

Video: Vertigo in Mana

Vertigo Dance Company presents a hit from last year, Mana, at the Givatayim Theater at 17:00.  Choreographed by Noa Wertheim, Mana premiered during the twentieth anniversary of the Curtain Up festival.

Video: Maria Kong in Miss Brazil

Maria Kong reprises its program from the Tel Aviv Dance festival, Miss Brazil, at 21:00 at Suzanne Dellal. The company’s four founders – Anderson Braz, Talia Landa, Leo Lerus, and Ya’ara Moses – collaborated on the first half of the bill, Miss, while guest choreographer Idan Cohen contributed the second half, Brazil.

Saturday, December 11

Saturday is primarily a day of mixed bills, titled Exposures, that feature both shorter dances in their entirety alongside excerpts from full-evening works.

Video: Yoram Karmi’s Particle Accelerator

Exposure 1, at 11:00, features Fresco Dance Group in an excerpt from the evening-length Particle Accelerator.  The bill is rounded out by Rachel Erdos’s OU’.

Video: Rachel Erdos’s OU’

Odelya Kuperberg’s Tzitzushka.

At 13:00, Exposure 2 will include Odelya Kuperberg’s Tzitzushka and a new work from Idan Sharabi.

Video: Liat Dror’s Terminal B

Nir Ben-Gal and Liat Dror bring their company from Mizpe Ramon to show Dror’s Terminal B at 14:00. 

Video: Mami Shimazaki’s Loop People

At 15:00, Mami Shimizaki’s Loop People shares the bill with Orly Portal’s Gnawia in Exposure 3.

Video: Kamea Dance Company in Tamir Ginz’s Srul

The day finishes at 22:30 with Exposure 4, featuring Kamea Dance Company in an excerpt from Tamir Ginz’s Srul along with Nimrod Freed’s Flash.

Sunday, December 12

Video: Sharon Eyal’s Bill

After a whirlwind of performances, International Exposure 2010 closes with Batsheva Dance Company in Sharon Eyal’s Bill.

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Sahar Azimi Speaks about Choreography and Contemporary Dance (Podcast)

Posted on 13 April 2009 by Deborah Friedes Galili

Download the podcast (You can right-click the link and press “save as” to download the file to your computer.)

Sahar Azimi in "Bo Targish"

(Sahar Azimi in Come Feel.  Photo by Gadi Dagon.)

(This podcast was initially produced for Israel Seen, and the text is amended from my writing there.  You can subscribe to this podcast using the iTunes software by clicking this link to the podcast feed.)

In a festival with more than fifteen concerts – each of which features multiple works – dances are bound to blend into one another.  But when a work stands out in this context, you know it’s the real deal.  That’s what happened again and again with Sahar Azimi’s choreography at Machol Bamidbar (Dance in the Desert) in June 2008.  From the first duet I saw to the gasp-inducing solo for a woman from Bo Targish (Come Feel), and then to the poetic group piece Ze, Sahar’s artistic voice captured my attention and remained in my mind long after the festival was over.

Join us as we talk about Sahar’s early career as a dancer with some of Israel’s most famed companies, his more recent choreography, and the larger field of Israeli contemporary dance.

See below for more photographs from Bo Targish (Come Feel).

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Home Port Festival: History in the Making for the Choreographers Association

Posted on 13 March 2009 by Deborah Friedes Galili

choreographershomeportsmall1

Choreographers celebrating before the opening of the Home Port festival.  Photo by Dorit Talpaz.

This may sound a bit extravagant, but I don’t think I am exaggerating.  Last night I witnessed dance history – and I hope that the opening night of the Home Port Festival (and the festival itself) will go down in the books not as an isolated moment in time but as the recognized beginning of a new stage, figuratively and literally, for Israel’s independent choreographers.

The excitement was palpable when I arrived at the festival last night, and the energy only grew as more people streamed into the enormous hangar.   While Oy Division played a rousing klezmer set, I mingled with choreographers, dancers, administrators, government officials, dance writers, and dance fans.  Everyone seemed to recognize that this collective celebration of individual creation was a momentous occasion.  The dream for a permanent home for the Amuta‘s artists, though still not fully realized, no longer seemed like an impossibility; indeed, the possibilities of what the dance scene would gain in the next weeks at Home Port emboldened the choreographers to dream anew.

After the enthusiastic crowd overflowed the risers, a one-of-a-kind dance marathon commenced.  39 choreographers from the Amuta presented a total of 33 solos and 3 duets, and 38 of the choreographers themselves delivered electrifying performances.

My intention was simply to watch and enjoy, but as each piece sparked snippets of ideas, I started scribbling furiously.  What follows is my ode to the Amuta, a series of one-line impressions from each selection.   Please read on . . .

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International Exposure 2008: Day 2

Posted on 21 January 2009 by Deborah Friedes Galili


(Video: Ov by Renana Raz and Ofer Amram)

The opening night of International Exposure whetted my appetite for a festival full of Israeli contemporary dance, and now I’m ready for the first whole day of  programming.  And it will indeed be a whole day – events are running from 11:00 a.m. until about 10:oo p.m.!

I saw Yasmeen Godder’s Singular Sensation when it premiered in June, and I’m eager to view this intense work again when it starts our morning. Next on the program is dance scholar Gaby Aldor, who will present a lecture on dance in Israel.  I often found myself reading her articles as I began my research on the subject, so I’m quite excited to hear her speak.

Today will also feature two mixed bills from the annual Curtain Up Festival, which is one of the main platforms for premieres in Israel.  In this year’s Curtain Up 3, we’ll see two collaborations: Bloody Disco by Yossi Berg & Oded Graf, and Reversi by Odelya Kuperberg & Sahar Azimi.  Tonight we’ll also view Curtain Up 2, with It Rains Inside (Rachel Erdos), Post-Martha (Niv Sheinfeld & Oren Laor with the participation of Ronit Ziv), and La femme 1, La femme 2 (Ronit Ziv).

In between the two selections from the Curtain Up Festival, we’ll be treated to a showing of Ov by Renana Raz & Ofer Amram.  Inspired by S. Ansky’s play The Dybbuk, Ov premiered at the Israel Festival in June.   I attended its first performance in Jerusalem and am looking forward to seeing it here in Tel Aviv at the Inbal Hall!

See below for more video and links.

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Israel’s Curtain Up Festival: “Another Op’ning, Another Show” for Contemporary Dance

Posted on 30 November 2008 by Deborah Friedes Galili


(Hillel Kogan’s “Everything” will premiere in the 2008 Curtain Up Festival)

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“Another Op’ning, another show
In Philly, Boston, or Baltimo’
A chance for stage folks to say hello
Another op’ning of another show.”
-Lyrics by Cole Porter for the musical Kiss Me Kate

It’s time for another op’ning of another show – again, and again, and again (and again) – in Tel Aviv and Jerusalem this month. The 2008 Curtain Up Festival will bring 4 programs worth of premieres by independent choreographers to the Suzanne Dellal Center and The Lab (HaMaabada) during December.  Michael Getman, Maya Levy, Rachel Erdos, Tomer Sharabi, Maya Stern, and Hillel Kogan will each present new works, as will the collaborative teams of Sahar Azimi and Odelya Kuperberg; Yossi Berg and Oded Graf; and Niv Sheinfeld and Oren Laor with the participation of Ronit Ziv.  The entire festival opens at Suzanne Dellal on December 3 with a special presentation of Inbal Pinto and Avshalom Pollak‘s Shaker, which recently toured the United States.

For a listing of this year’s Curtain Up performances in Tel Aviv and Jerusalem, please visit Dance In Israel’s Events page.  You can read both Helen Kaye’s preview and Ori J. Lenkinski’s preview of the festival in the Jerusalem Post and view the Suzanne Dellal Center’s Hebrew program of Curtain Up.  Finally, I’ll leave you with “Another Op’ning, Another Show,” which I wrote for my own website on November 20, 2007 after attending last year’s Curtain Up Festival.  Make sure to click below and view the rest of the post; there’s another video to whet your appetite!

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